I got a bit of a surprise on Christmas morning when my wife told me, "I've got tickets for you and Dean to go to a concert in Newcastle." - Dean is my brother-in-law.
"Great. Who are we going to see?"
"Morrissey!"
Me, confused: "Morrissey?"
"You do like him, don't you?"
All of my life I've listened to punk, thrash metal and goth. But I have got a Smiths album somewhere, and once had a girlfriend who had a poster of Morrissey on her bedroom ceiling. Does that count?
"Erm... yeah. Love him. Great."
I met up with Dean a few days later. "Here, was this your idea? Morrissey?"
He gave me the same confused look. "Morrissey? I think I've got a Smiths album somewhere."
It soon became clear that the present was more the night out than the actual gig, but I wanted to get the most out of it so I started out on a diet of nothing but Morrissey for the next few weeks. Every time I got in the car - Morrissey. Every time I walked the dog - Morrissey. Lunchtimes - YouTube. I started singing the songs in my sleep. I even got his new album. By time the gig came round, I was well primed.
A few drinks in Newcastle meant we missed the support act - unless the archve footage of Ramones, James Brown, New York Dolls and a few others was it. Our tickets were for the Standing section, so we got a good view of the show - until we heard the opening chords to Suedehead and everyone went crazy and Dean spilled his beer all over my head.
The one thing that really hit me was how good his voice was. The sound in general was superb. I'm used to seeing bands that play so loud, all you can hear is distortion. But his voice... just incredible.
So there you go. I now listen to thrash metal, punk and goth... and Morrissey. Good night out. Good Christmas prezzie.
Sunday 25 February 2018
Sunday 18 February 2018
Entering the Author Twilight Zone
The Author Twilight Zone - that's something they don't tell you about in those writing manuals. It's a special little place where time stands still and frustration grows like an itch you can't possibly scratch.
For anyone who has followed this blog, in particular the development of Buttercup, you might have the idea that things in publishing run slowly. Actually, in the case of Buttercup, it's racing along at top belt. Bearing in mind that this time last year, I hadn't even started on the first draft. Often it takes more than a year to just place a manuscript, never mind all the edits and other stuff.
One of the hardest things is keeping the major details under wraps. I've blogged about the process: the pitch, meeting an agent, working on edits, sketches and illustrations - because I think that's interesting to anyone who wants to write and go through this process. But I've avoided giving any official details of the book, the publisher, release date and other things. The reason is simple enough: the publisher has made the investment, the book is their product, so it's only right that they get to make the announcement first.
But the further along the process you get, the tougher it is to keep all this news to yourself. I've seen the cover go from roughs to final artwork, I've seen the promotional flyers - I've got a date for release, another date for the promotional launch... I've even seen the ISBN number (nerd central, right there!). I am so close to the finish line that I can almost taste it.
But I can't say a word. Not for another week and a bit.
That's the Author Twilight Zone. And it's itching like mad.
Colin Mulhern
For anyone who has followed this blog, in particular the development of Buttercup, you might have the idea that things in publishing run slowly. Actually, in the case of Buttercup, it's racing along at top belt. Bearing in mind that this time last year, I hadn't even started on the first draft. Often it takes more than a year to just place a manuscript, never mind all the edits and other stuff.
One of the hardest things is keeping the major details under wraps. I've blogged about the process: the pitch, meeting an agent, working on edits, sketches and illustrations - because I think that's interesting to anyone who wants to write and go through this process. But I've avoided giving any official details of the book, the publisher, release date and other things. The reason is simple enough: the publisher has made the investment, the book is their product, so it's only right that they get to make the announcement first.
But the further along the process you get, the tougher it is to keep all this news to yourself. I've seen the cover go from roughs to final artwork, I've seen the promotional flyers - I've got a date for release, another date for the promotional launch... I've even seen the ISBN number (nerd central, right there!). I am so close to the finish line that I can almost taste it.
But I can't say a word. Not for another week and a bit.
That's the Author Twilight Zone. And it's itching like mad.
Colin Mulhern
Monday 12 February 2018
The Ritual book vs movie
I missed the cinema release, so I read Adam Nevill's novel while I waited for the DVD release. The DVD was released today so I can review them together.
First up, I liked the movie and I liked the book, but they are quite different, and in a way, that's what makes both the more interesting.
One of the things I really liked about the book was the references to Swedish death metal bands. It felt like I was getting a nod from someone else in the know - bands like Bathory are very much an acquired taste. Yet strangely, even though I felt more in tune with that part of the book, it was the only part of the novel to flag. It felt like something I know I'm guilty of in my own writing, and that's putting personal preference over story. That's very much where editors come in, but I'll defend Adam's angle to the hilt, because it's those personal touches that give novels a sense of heart.
So I was expecting one hell of a movie score! Bring on the speed metal and screaming vocals.
It didn't come. The movie stripped that whole part of the novel out and altered the story. It isn't true to the book, but I don't think that's a bad thing. A director has to look at what works in words and decide if it will work on screen. Just think of The Shining - what works in the book would have been laughable on screen.
First up, I liked the movie and I liked the book, but they are quite different, and in a way, that's what makes both the more interesting.
One of the things I really liked about the book was the references to Swedish death metal bands. It felt like I was getting a nod from someone else in the know - bands like Bathory are very much an acquired taste. Yet strangely, even though I felt more in tune with that part of the book, it was the only part of the novel to flag. It felt like something I know I'm guilty of in my own writing, and that's putting personal preference over story. That's very much where editors come in, but I'll defend Adam's angle to the hilt, because it's those personal touches that give novels a sense of heart.
So I was expecting one hell of a movie score! Bring on the speed metal and screaming vocals.
It didn't come. The movie stripped that whole part of the novel out and altered the story. It isn't true to the book, but I don't think that's a bad thing. A director has to look at what works in words and decide if it will work on screen. Just think of The Shining - what works in the book would have been laughable on screen.
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