Colin Mulhern

So the new Playstation has been announced, and that affects YA authors how..? Well, if you don’t know your audience, how do you expect to write for them? The PS4 is the first of the new generation consoles, machines with so much power the games look more like interactive movies. But is this really what modern kids are after? Killzone: Shadow Fall on the PS4 Back in September, I appeared on Litopia After Dark with internet legend Frank Edward Nora. Frank is a modern day Samuel Pepys, recording his observations of humanity on thousands of podcast diaries. He is convinced that as technology advances, we’re going to be lost in a virtual work, unable to separate reality from the digital universe, and it looks like the PS4 marks the next stage of that development. Scary stuff if you buy into it. But I don't, and here's why. Personally, I am quite excited about the PS4, possibly because I’ve followed the rise of video games since the PONG of the seventies. I spent my y...

I was invited down to London for two small events organised by Bounce. The first was an informal lunch with a few (very important) booksellers. The second was an event at Foyles, a fantastic book heaven on Charing Cross Road, where I met reviewers and key bloggers. Me, holding an invisible balloon. This was very relaxed and chatty, and I tried as well as I could not to go off on tangents - every now and again getting a subtle cough from Non, and then a clear, 'Colin! Tangent!' I managed to get back to Arabesque and answer a few questions. The main ones were to do with strong language in teen fiction and the way I chose to end Arabesque. I'm not going to give any spoilers about that, but to give a taste of what I said at Foyles, the end is not meant to be a cliffhanger (I'm not planning a sequel, at least, not at the mo), but reflect the book's opening. However, I also felt it important to add that the YA books I enjoy the most don't tie up all of the...

Several events coming up. The first is Foyles in London . I'll be there with my editor, (and YA author too!!) Non Pratt, talking about YA authory stuff. - okay, that's not selling it very well...  (coughs) I'll be telling horrible stories, juggling knives and trying not to make the audience sick (like I did at Shiney Row library :o)) Click here for the FB page.  So er... come along. It'll be brilliant!!! ADDED: Erm.. well I tried a quick juggling practice in the garden. Might not be the best idea.

This probably seems a strange thing to do, but for anyone who dreams of being published, this is one of those key moments when the dream becomes a reality.

Does strong language have an impact on the commercial success of a book? There is a big difference between dialogue and transcribed speech. When people talk, in the right environment, every other word can be expletive and no one cares. Usually, this is because the swearing in speech is often used as a wild-card adjective to save having to think of anything more suitable. With teens, there is the added w hammy that bad language can define independence. It becomes such a prominent part of their language that some kids can speak in nothing other than swear words and still get their point across. In a book, that would be awkward to read and ultimately dull. Some writers of adult fiction suffer from this; their novels are so peppered with profanity that you end up having to skim through repetitive crap to get to the story. That bugs the hell out of me and usually puts me off. So when is it appropriate? A carefully placed f-bomb can have real impact in certain situations. Rather t...

I feel like my head's exploded. I've just completed a mega turbo ninja edit of ARABESQUE. I posted a blog at the start of this edit when I first went over the document. It can be difficult for a writer to see all those red lines and comments, but ultimately, it's the sign of a good editor. Of course, the other sign is the editor who insists that all those marks are suggestions, and not orders. In the case of Arabesque, I think I agreed with about 95%. Copy edits are a doddle - you just decide whether the gramatical changes suit. The suggested changes are the tough ones, but the most satisfying - that's the fun stuff. So there you go. Writing a novel takes a bit more work than just churning out the words. And just because you've been through the process once, doesn't make your writing flawless the next time round. You'll still need an editor, but the process of editing become easier. It's also good to look back on old attempts and see how far you...

Okay, Kyle is fictional, so no, this isn't really his drawing, but it is the image that inspired a certain scene. In Clash, Kyle is at a loss what to do when his mother is in the maternity ward and her baby (Kyle's brother) is in an incubator in Special Care. He ends up doing a drawing so his mother can have an image of her baby by her bed - all because the other mothers in the ward have their actual babies in cots by their beds. This scene was taken from real life. When my wife had our first boy, he was in an incubator in the Special Care Baby Unit, and she was up in a ward where other mothers had their babies in cots - a bit cruel, but there you go. A decent ward might have put her in a side room. For some reason I thought you weren't allowed to use cameras in the special care unit (there were some very premature babies in there under special lighting). So I nipped home, grabbed a drawing pad, pencils and set to work. I went back up to the ward and pinned the pi...

Thursday 3rd March was one of the craziest nights of my life. Rather than launch the book in a shop or library, I booked a theatre and got local teen rock band, Hell's Marauders , to play. There were a few surprises during the night. The first was the cake Paula had made, with the full clash cover printed on the icing. The second was the fire engine in the car park.The third was being dragged up on stage to sing Anarchy in the UK with the band. I think I might be the first author to do a stage dive at a launch party. The fire crew were there thanks to Nev. Nev gave me some help on a few technical details in the novel. He was on call on Thursday night but wanted to come along, so he turned up in a fire engine with the whole crew. Catnip editor Non Pratt got up to do a truly wonderful introduction, then I jumped up, grabbed the mike and screamed out, "HELLO FATFIELD!" - proper rockstar style! I calmed down enough to do a short talk about YA fiction and a read...