Colin Mulhern

I don't read a lot of crime fiction, but the mild dystopian/sci-fi slant of ZERO grabbed my attention. And the cover... I just love the texture on that yellow text. ZERO is set in the near future where authorities have adopted a zero tolerance policy towards crime. If found guilty, regardless of the crime, there is only one sentence: execution. And without giving any spoilers, it's the manner and delivery of execution that has more than shock value - it really resonates throughout the book. There are no flying cars, no robots or spaceships, but ZERO holds an unsettling atmosphere reminiscent of Bladerunner. The story kicks off with the kidnap of a judge, which at first doesn't seem particularly surprising. The events and investigations that follow build up slowly, leading to a fairly complex, but convincing plot. Underpinning this is the conflicting turmoil within the main character as she digs deeper. Again, no spoilers, but the result is a novel that avoids the quic...

Grinding to a halt... and here's why. In a nutshell, This isn't writing: this is typing. There is a difference. At least, to me there is. In YA novels, every word counts. The moment you waffle, you lose the reader. You have a bit more leeway in adult fiction because adult readers have more patience and are more likely to stick along for the ride. But there has to be a promise to the reader, a hint that there is an end game, that we're on a journey. You can do it with a question or a hint, but there has to be something . Here's the opening line from The Shining: On the second day of December, in a year when a Georgia peanut farmer was doing business in the White House, one of Colorado's great resort hotels burned to the ground.   It sets a moment in time, a voice and lets us know where the book is going - a disaster, a great resort hotel is destroyed. The book is going to tell you why. With my Nano project, I've got a good opening and three strong scenes...

I've just passed the 5,000 word mark! Yesterday was a bit difficult because I got in late, had to build a fireplace to give the room a bit of atmosphere for the first of our Christmas Movie nights, and then watched Elf, so the only writing I got done was what I managed to cram into my lunch hour, which meant today I was playing catch up. Didn't get the opportunity to do any lunchtime writing today, but I go to watch the kids diving on a Thursday so I took my laptop along and knocked out 1,000 words there. Came home and managed another 1,000 (the last 500 words flew out.) So, over the first three days, I've got an average of 1,800 per day. No idea where this novel is going but really want to keep pushing and see what happens. And to be quite honest, if it wasn't for the need to keep up with NaNoWriMo, I certainly wouldn't have done that last 1,000 words. In fact, today would probably have ended up as a non-writing day.

Finding time to write is the key, and it really isn't that hard. By some smashing stroke of luck, my dog woke me up at 5:00am this morning, quickly followed by the cat. Unable to get back to sleep I started thinking of my Nano project and the scenes began to flow. At 7, it was time to give up on any further chance of sleep and get out of bed. Quick packed lunch for my youngest, a bacon and egg sarnie for me, check Facebook (quickly, because I really wanted to write a few notes) and then managed about fifteen minutes writing. Doesn't sound like a lot but it was enough to get about 150 words down. It's a start. I work during the week, so I couldn't do anything more until my lunch break. I nuked leftover pasta in a the staff room microwave, found an empty class and began tapping away. I knocked out around 1000 very messy words. This evening, I managed a bit more time behind the keyboard. This was easy enough - really just time I usually spend scrolling through Face...

NaNoWriMo - or, National Novel Writing Month is described as "A fun, seat of your pants approach to creative writing." The idea is to knock out a novel as fast as possible to avoid getting bogged down in planning and plotting. I've tried this technique a few times but never registered for Nano. Thought I'd give it a go this year as I'm just about to start writing what I hope is an adult thriller. All I have at the moment is a title: Daniel's Daughter, and a one line synopsis. Nothing else.Going to start writing tomorrow. Let's see how far I get.I'll blog updates along the way.

Had a great night on Saturday night at the O2 Academy in Newcastle. 18 different acts performed on two stages - the main O2 stage and the upstairs acoustic room None of the acts took a fee to raise money for the Teenage Cancer Trust. Most of the photos I took came out a bit poor so I knocked a few video clips together to give a hint of the general atmos. Fantastic. Can't wait till next year. .

I'll make this short because I didn't get very far with this at all. The reason is simple - reading it was just too much hard work. I'm sure there are people out there who love quirky writing peppered with forgotten vocabulary to really add authenticity to the voice of a historical narrator, but I found it tough going. I tried to soldier on, and then hit the phonetic Yorkshire dialect - there was a little touch of this early on, but when the MC went up north it was used continually and the book died right there. The problem I have with written dialects is that the written word is unfamiliar, so you have to slow down your reading in order to sound out the phonemes to decipher the word. As a reader, this shifts my focus from the story to the written word and the illusion of believable fiction is broken. So there's no point reading any further.

I loved The Ice Twins so as soon as I saw the author name, S.K. Tremayne, I had to get this. In short, it looks like Rachel has landed herself a perfect family life, rising up from the underclass of London to the stunning grounds of Carnhallow House in Cornwall. She has a husband rich enough to keep and maintain the house, and she has fallen in love with Jamie, the perfect stepson. But Jamie is still grieving the loss of his mother, and Rachel's arrival at the house seems to have a significant effect on that grief. Jamie becomes convinced that his real mother is alive, is in the house... and that Rachel will be dead by Christmas. Creepy and atmospheric with hints of the paranormal, The Fire Child is a brilliant psychological thriller. The setting is rich and convincing without being overly descriptive - there are lots of snippets of the horrors of mining, slipped in seamlessly into the story so that it never feels like clunky info dumps. All very nice and skillful, but for ...

Thin Air follows the story of five mountain climbers going for the summit of Kangchenjunga, the third highest peak in the Himalayas and considered at the time, the biggest killer of them all. Told from the point of view of a young medic, the group plan to follow the route that ended in disaster in 1907. The book opens with the medic receiving a stark warning from the last surviving member of that expedition. Set in 1935 with a style deliberately dated, Thin Air has a feel that might appeal to fans of H.P. Lovecraft - in fact, it's very reminiscent of At The Mountains of Madness , (written in 1931!) not only in the setting and atmosphere but in the gradual and cumulative climb towards increasing fear. Attention to detail is a major part of the book, from equipment to diet to medical treatments. It helps pace the story and make it feel like a genuine memoir of a 1930's trek. The story itself is gradual in development and the initial moments of unease are just a little too...

One thing I like to read on author blogs is what they are up to and how they write. I've just made a submission, so here's a quick peek behind the curtain. My next Young Adult novel is called The Mayfly but while the publishing cogs are turning I thought I'd set myself a challenge and write something else before The Mayfly comes out. I decided to go for Middle Grade (age 8-12). All I had was a very basic idea but no plot and no outline. On the 3rd July, I started writing. Over the next three days I wrote about 8,000 words of nonsense to get a feel of what I could and couldn't do and began to develop a character I could work with. Once I had a better feel for where this might go, I went back and started again. I didn't have a plot at this stage, but I did have certain markers - a short list of scenes and ideas that I'd been thinking about. The plot developed as I followed the MC along the route.  At the halfway point I mapped out a basic over...

Every Falling Star  is the first novel to bring the reality of North Korea to a Young Adult audience. It's the true story of boy brought up in relative comfort of Pyongyang, the capital city of North Korea, when suddenly, and without explanation, he is thrown into a world of unimaginable poverty. At first, he is told is that his family are going on vacation, only to find that the house they are staying in is basic to the extreme. It soon becomes clear that this isn't a vacation at all and their new life is fraught with danger. All he can work out is that his father, who had an important job in the military, has done something to warrant this punishment on his entire family. At the age of 12, Sungju finds himself alone and has to rely on his wits and the support of a small gang of street kids to survive. He learns to fight and steal while trying to avoid arrest, imprisonment and the fear of execution. Every Falling Star is an incredible tale of hardship, friendship and ...

Two's company, three's a crowd, and Mandy never quite fits in with two close friends Petra and Tina. Maybe it's this feeling of not quite being part of the gang that causes her to hang back while Petra and Tina go into the old house they are so drawn to. And maybe that's why Mandy is alive to remember events of the night when her two friends went missing. The story kicks off five years later when the house is finally demolished and Mandy sees something that turns the whole mystery on its head. The three main characters are drawn well and the friction of the three-way relationships is spot on. I really enjoy realism and grit in YA fiction and this certainly delivers in that respect, and there are aspects of the thriller that really grabbed me. It certainly ticked a lot of boxes for me as a reader. Moth Girls takes a while to get going, and for me, there was a lot of meat on the bones that could have been trimmed - in particular, Mandy's interest in boys at scho...

Books are better, right? That's what I always hear, but I've often thought it was a snobbery - ie, "I'm more intelligent, therefore I can enjoy the depth of a book... bla bla bla." But sometimes a movie comes along that expands and develops a story. With Coraline being quite a short book, I wondered if this would be the case. I read the book earlier this week, when realised I'd never read Neil Gaiman (other than a Sandman comic in the 90s) and keep hearing good things. And then I watched the movie last night. First of all, I love stop motion animation. The movie of Coraline looks fantastic. The models and animations are fantastic, with stunning sets and some brilliant visual jokes (esp Miss Spink and Miss Forcible's musical number). However, there are other differences which really nail the difference between the format of a novel versus a movie. In particular, Wybourne. Wybourne Lovat is a character that doesn't appear in the novel. That...

You know when they say music can take you places. This post is kind of like that. I got this album when I was eleven years old. I liked horror stories, saw this on a friend's t-shirt and simply had to have it. I listened to it over and over, unable to get over this incredible mix of visual story telling and incredible rock music. As I got into my teens I moved onto other stuff and this old album slipped away. And then a few years ago, something popped into my head, so I went out and bought it again (my old vinyl albums went in the skip years ago). I got a massive bolt of nostalgia and started listening to it more and more. When I take my son diving, the Aquatic Centre can be really noisy. I started putting this album on to drown out the noise around me. At first, it did the same old thing that most music does - it takes you away to a place. In my case, that's usually being on stage with a guitar (because in day dreams I can actually play one) and seeing a sea of fans...

Isabella knows that a world exists beyond the confines of her island, and she has maps to prove that. But since the new Governor arrived, no one is allowed to leave and half of the island is strictly out of bounds. But when a girl is murdered, and then the Governor's daughter goes missing, Isabella adopts a disguise in order to join the search party. What she discovers makes her realise the mythical stories her father told her as a child have living roots that run deep into the heart of the island. The Girl of Ink and Stars is an enchanting piece of storytelling with a magical mixture of visual wonder and spellbinding action. Wonderful.

Loved this book. Generally speaking, it's not YA, but I've added the YA tag - more on that later. For the most part, The Three is a book within a book, and then follows the story of the author to see the long term effects of having had that book published. I'm going to keep this short to avoid spoilers, but the basic plot is that four planes crash on the same day. In three of the planes, there is a single survivor and each one is a child. Perfect ingredients for conspiracy theories. What follows is a collection of interviews and transcribed chats, webchats and tweets. Sounds complicated, but the stories grab you tight and pull you in. Very, very readable. But what really takes it to the next level is that each voice is so individual - so take note if you're interested in writing, because this book is quite simply a master-class in controlling your writing style to fit different characters. I particularly loved Chiyoko and Ryu's story. (This is the reason for the...

In gearing up for the launch of The Mayfly , I'm giving away Clash and The Boy Who Buried Dead Things for free. The first chance is this weekend. Starting on Friday, 20th May until Saturday 21st  both books are FREE on Amazon. Share and enjoy. Here are the links: Clash The Boy Who Buried Dead Things

This book won the Costa award, which makes sense: I felt like I needed coffee to get me through it! Having said that, there is a lot that I enjoyed about The Lie Tree . Without giving spoilers, the plot has a wonderful touch of misdirection. I love it when magician hides their secrets in plain sight. Some of the imagery is incredible with beautifully written figurative prose. So I enjoyed the writing too - just not the story.  The plot drags itself into life as Faith, the daughter of a "natural scientist" does little more than observe the actions of adults - after all, she's just a girl in a world where only men have sufficient brain capacity to understand science so there's not a great deal for her to do other than sneak a look at this, listen and feel sorry for herself. She takes a more active role in the second half and pulls off some really cool scenes. The boat, the cave... and I especially liked the bag of rats. But it just wasn’t enough. She had ...

When I first saw the trailer for The Boy, I thought it was a joke. It looked like a sketch by Mitchell and Webb or Harry Hill. The doll looks far too over the top, like it's trying much too hard to be creepy. The film kicks off with Greta (Lauren Cohan) taking a job as a nanny in a big, scary house with a couple that are clearly too old to need a nanny. And so we meet Brahms, the doll that has replaced their dead child. And right there, I got why so many critics hated it. The tentatively dark atmosphere, the overly frightened parents hiding a terrible secret and a scary oil painting stuck on a wall of endless wood panelling and a possessed toy - all the ingredients of a classic, old-school horror to such a silly degree that the movie is smothered in cliché. Hence the reason it comes across as a parody, a joke. But those things are only clichés because we watched so many movies using the same tools - because we liked them. We might look back on them now with a shake of the hea...

I had this recommended a few months back and let it slip. Then I noticed it in a book shop and picked it up to see what the big deal was. I read the back waiting, just waiting for the term I dread most... "detective." Don't get me wrong, I like crime fiction now and then, but it often feels that any decent thriller  must have a gritty detective running about from clue to clue. I kept reading... No detective. No investigator or renegade cop. I bought the book. The Ice Twins is the story of a couple trying to deal with the grief of losing one of their twin daughters. A year after the accident, they move to a secluded island in Scotland - little more than a rock in the sea with a lighthouse. The place is a mess, always cold, battered by bad weather and overrun with rats. But what really makes life difficult is the sudden realisation, and then confusion of which twin actually died. And is the surviving twin simply damaged by trauma, or is she really talking to her ...

Of the three post apocalyptic novels I've reviewed, this wins the prize for the most original reason why society has broken down. It's just... horrible and mad and genius. We are thrown into a world five years after the world had ground to a halt. People live in houses with the windows boarded up, the doors locked and should they ever need to venture outside, they do so blindfolded. Something is out there, and if you see it.. it's already too late. Malorie's story is told through a series of flashbacks. It began with news reports of violent deaths, attacks, cannibalism and suicide. No one knew why, and by the time people realised what might be causing it, it was too late. The internet died, the TV went off, radio stopped. Society collapsed. And anyone going outside with their eyes open was a risk to themselves and anyone nearby. I'm not saying any more than that - but I will say this book gave me nightmares. Two while I was reading, and one about two month...

Why rely on a zombie holocaust or killer virus to end civilisation when we're doing a pretty good job of screwing our future by ourselves? That's the basic premise for the backdrop for Lost Girl . Global warming, the rising waters and mass migration to reducing land are the ingredients for chaos. And as populated areas reach critical levels, crime takes hold, controlled by warlords who know that the only way to protect your territory is to make your message clear. And while this is all going on, a girl is snatched from the relative safety of her own garden. The result is that the father goes on the hunt for his daughter, doing whatever he can to gather information to lead him to the next link in the chain. A superb, gripping and at times violent and uncomfortable novel that tests the human resolve to see just how far a father will go to fight for the daughter he is sure is still alive. This is a shift from Adam Nevill's earlier work, but is clearly intensified wit...

I'll hold my hands up here - it was the cover that grabbed me. As for the story... Station Eleven is  The Stand for the Twitter generation. When a novel starts with a virus bringing civilisation to its knees, it's hard not to make a comparison - and the similarity doesn't end there. Station Eleven follows the trail of the Travelling Symphony, a small troupe travelling the land fifteen years after society's collapse, performing music and Shakespeare to scattered, surviving towns. Having left two of their group behind, they return to that same town to find the place overrun and under the violent control of the self proclaimed Prophet. Later, discovering a stowaway, they realise The Prophet is going to make sure to hunt them down and take back what is his. The Prophet certainly comes across similar to Randall Flagg in The Stand , and I could feel the tension building towards a major confrontation. Unfortunately, the showdown was a let down and over far too quick...

When I was about fourteen, I was on the metro, travelling to Newcastle. This was a regular way to spend Saturdays - I usally wandered about on my own. On this day, just as we were heading into a tunnel, an older kid nearby suddenly said to the lads with him, 'This is just like that bit in The Rats,' and began telling a scene where a tube train ground to a halt in the darkness of a tunned and went into gory detail about what happened next. I was hooked, and when the metro stopped, I went directly to a book shop. The only problem was that I had no money, so I had to read a few pages in one shop, go on to the next and read a few more pages then. Luckily, back then there were lots of books shops in Newcastle city centre. It's good to see The Rats is still going. The story is simple: giant rats kill loads of people. The mystery is where the rats have come from, but it doesn't really get deeper than that; most of the attraction was the way in which the victims die (like I...

I want to start this new batch of reviews/recommendations with the book that really changed what YA meant for me. Fat Kid... opens with Troy, who is so fed up with the way he looks that he's contemplating suicide. Troy isn't just fat, he's morbidly obese and his self esteem is through the floor. Curt, on the other hand, is so skinny he looks malnourished but oozes confidence and flair. He sees something in Troy that other people don't and decides he's the man to be the drummer in his band. The fact that Troy can't play drums doesn't seem to matter, and is pretty reflective on Curt's outlook on life - obstacles are just things to overcome. As the boys' friendship develops, we learn more about Curt, the kind of problems he has to endure, and why he is the way he is. I want to point out that Fat Kid... is not an "issue" book. Yes, it's about self esteem and finding the real you, but it never feels like it's trying to spoon feed y...